Sunday, April 26, 2020

Geoffrey Rush: Yeh Best Start Believing in Talented Actors! He is one!

Throughout a career of more than 40 years in show business, he’s made movies playing the principal secretary to Queen Elizabeth I, a beloved Australian pianist, an unsympathetic police inspector, King George VI’s speech therapist, and even a ruthless, greedy pirate! Many of the characters that he portrayed were stubborn. Some used their stubbornness for the greater good while others used it for greed and selfishness…but we loved him for it nonetheless! I’m referring none other than Geoffrey Rush—an incredibly versatile actor!

Rush was born in Toowoomba, Queenland, Austrailia on July 6th, 1951. His father, Roy Bayden Rush, was an accountant for the Royal Australian Air Force and his mother, Merle Bischof Rush, was a department store sales assistant. They unfortunately divorced when he was five years old and he went to live with his mother in Brisbane. He attended Everton Park State High School and graduated from University of Queensland with a Bachelor’s degree in Arts. While attending the university he was talent-spotted by the QTC (Queensland Theatre Company) who offered him to join their group. He accepted and officially began his career as an actor in 1971.  

Rush made his debut with the QTC in a production called Wrong Side of the Moon. He was involved in the group for four years and briefly left the group to study mime in Paris for two years. After that, he returned to the QTC, where he appeared in Shakespearean productions such as The Winter’s Tale and Trolius and Cressida. He also appeared in a production of The Importance of Being Earnest, where he met his wife, Jane Maenelaus, whom he married in 1988. While appearing in each of these productions, Rush also appeared in the series Consumer Capers in 1979 and in the film Hoodwink in 1981, both of which were produced and distributed by Australia.

After appearing in various other Australian-produced films and television series (i.e., Starstruck (1982), Menotti (1980-1981), and Twelfth Night (1987), Geoffrey Rush made his American film debut in Shine (1996), in which he played Australian pianist David Helfgott. His performance in the film was universally praised and earned him both a Golden Globe and an Oscar for Best Actor. In 1998, two years after “Shine,” Rush made four films: Les Miserables (not the musical) in which he played Inspector Javert opposite Liam Neeson as Jean Valjean and Uma Thurman as Fantine, A Little Bit of Soul which was produced in Australia, and Elizabeth, in which he played Sir Francis Walsingham, opposite Cate Blanchett as Elizabeth I. Rush had previously narrated the film Oscar and Lucinda (1997), which also starred Blanchett, and he reprised the role of Francis Walsingham in the “Elizabeth,” sequel, Elizabeth: The Golden Age (2007), which reunited him again with Blanchett. He also appeared in Queensland Art Centre’s production of The Marriage of Figaro in ’98 and he made Shakespeare in Love the same year, playing theater entrepreneur and impresario Philip Henslowe, a role that earned him his second Oscar nomination, though first in the supporting category.

In 2000, Rush made the film Quills, opposite Kate Winslet, Joaquin Phoenix, and Michael Caine, where he played The Marquis de Sade, earning him a third Oscar nomination. Not long after making that film, Rush was approached by Director Gore Verbinski to play the role of Captain Hector Barbossa in Disney’s Pirates of the Caribbean: The Curse of the Black Pearl (2003). Verbinski wanted Rush for the role because he knew he could play the role with a simple villainy that would fit the story perfectly. Rush had previously worked with “Pirates,” co-star Orlando Bloom on the Australian film Ned Kelly, which also came out in 2003. It was Rush who gave Bloom the script for “Pirates,” and suggested he read it while they made “Ned Kelly.” 2003 proved another one of many busy years for Rush, as he was invited by Pixar Animation Studios to voice Nigel the Pelican in their next collaboration film with Disney at the time, Finding Nemo, released May 30th, a little over a month before “Curse of the Black Pearl’s,” July 9th release. 

Geoffrey Rush reprised the role of Hector Barbossa in all four of Disney’s “Pirates,” sequels, Dead Man’s Chest (2006), At World’s End (2007), On Stranger Tides (2011), and Dead Men Tell No Tales (2017). The year after he made “Curse of the Black Pearl,” he made the HBO film The Life and Death of Peter Sellers (2004), impersonating Peter Sellers winning him his first Golden Globe since “Shine.” The role also won the Globe for Best Miniseries or Motion Picture Made for Television. Before he made “On Stranger Tides,” he conquered Broadway in 2009, starring as King Berenger in the play Exit the King, a role that he had originated at the Malthouse Theatre in Australia. The Broadway production earned him a Tony Award for Best Actor in a play. In 2010, he took on the role of Lionel Logue in The King’s Speech (2010) which earned him his fourth Oscar nomination. Most recently, he portrayed Albert Einstein in the National Geographic Series Genuis (2017-present) and he also appeared in the Australian family adventure film Storm Boy (2019).


Geoffrey Rush has played some guys who have existed in real life, and some who also haven’t, in stage, television, and film. Disney lovers probably will always remember him best as Barbossa in the “Pirates of the Caribbean,” franchise, but looking back at all the biopics and period dramas he’s done, he’s just a great actor, period, and he brings a character to life brilliantly whether the character is real or made up. The Title of this Blog is taken from perhaps his most famous line from the “Pirates” series: Yeh best start believing in ghost stories Miss Turner! You’re in One! 

Sunday, April 19, 2020

Welcome to the world of Mark Henn!

From the 1930s-‘60s, Walt Disney’s “Nine Old Men,” the creative braintrust of the studio, created feature length films and short cartoons for the studio. By the ‘70s and ‘80s, some of them were still working for the studio while others had either retired or passed on. Soon, however, a new generation of animators were hired by the studio, many of them mentored by Eric Larson, one of the last remaining experts was Mark Henn, who continues to work for Disney today. Henn himself has created an incredible legacy of animation, from leading ladies to supporting clowns and even Mickey Mouse. 

    Mark Henn was born on April 6th, 1958 in Dayton, Ohio. In 1978, at the age of 20, he was officially accepted into the California Institute of the Arts in Santa Clarita, California. “CalArts,” as it is known, had been founded by Walt and Roy Disney, along with Nelbert Chouinard in 1961. In addition to studying under Eric Larson, Henn also studied under Disney animators Jack Hannah and Thorton “T.” Hee. Classmates included John Lasseter (writer/director of Toy Story (1995) and Toy Story 2 (1999)), Mark Dindal (Effects Animator for Oliver & Company (1988)) and Joe Ranft (Story Artist for Who Framed Roger Rabbit (1988)). Henn joined the studio in 1980 and his first assignment was working as an in-betweener (an artist that transitions each of the drawings from frame to frame) on The Fox and the Hound (1981), collaborating with Glen Keane who supervised the animation on the film’s animal characters.

His next assignment was animating Mickey Mouse in the Oscar-nominated short Mickey’s Christmas Carol (1983), along with various characters in The Black Cauldron (1985). He first assignment as a Supervising Animator was on the characters of Basil, Dr. Dawson and Olivia in The Great Mouse Detective (1986), but he finally got to animate his first leading lady, Ariel in The Little Mermaid in 1989. He also supervised the animation on Belle in Beauty and the Beast (1991) and Princess Jasmine in Aladdin (1992). His design for Jasmine was inspired by his younger sister, Beth’s, high school senior photo. 

Henn was supervising animator for Young Simba in The Lion King (1994), Mulan and her father Fa Zhou in Mulan (1998), and in 2000, he directed the short film John Henry. Henn had loved the story of John Henry as a kid and was excited to bring it to life at Disney. Before working on the film, he and the rest of the film crew visited Big Bend Tunnel near Talcott, West Virginia, where the John Henry legend was born. Henn and the rest of the crew also received inspiration for their short from Paul Bunyan (1958), another Disney short, directed by Les Clark, another of the Nine Old Men. John Henry’s patchwork quilt opening scene was inspired by Mary Blair, who produced a great deal of concept art for Disney movies during Walt’s time.

Mark Henn also supervised the animation on several animals for Home on the Range (2004), Giselle in Enchanted (2007), Tiana in The Princess and the Frog (2009), and Winnie the Pooh and Christopher Robin in Winnie the Pooh (2011). He provided additional visual development for Wreck-It Ralph (2012) and he animated Tinker Bell in Saving Mr. Banks (2013). He has also animated Mickey Mouse for various Disney Parks shows as well. More recently, he was an animator for Judy Hopps in Zootopia (2016) and Mickey Mouse in Ralph Breaks the Internet (2018), the sequel to Wreck-It Ralph (2018).


  Mark Henn will always be remembered for his amazing animation at Disney, but his story is special because of the mentorship that brought it about. He says when he started at Disney, his mentor Eric Larson “Advised us to learn from the past but to bring out own sensibilities to our animation.” And the interest Larson took in Henn undoubtedly led to amazing opportunities. When looking back on Henn’s incredible body of work, I’m sure we can all agree that his “sensibilities” resonated with many, many Disney viewers.

Sunday, April 12, 2020

Easter Movies

On this Easter Sunday, I thought we could explore fun facts about movies with spiritual themes. Please feel free to comment on your favorite!

  1. Paramount’s The Ten Commandments (1956)-The same year that Yul Brynner played Rameses in this film, he also made the films Anastasia (1956) as well as the film version of his career-defining role The King and I. Before Brynner made “The Ten Commandments,” he underwent an intense weightlifting program so that he wouldn’t be physically overshadowed by co-star Charles Heston and would look physically fit as he appeared shirtless throughout most of the movie. Heston later said the Brynner gave the best performance in the movie. There is a moment in “King and I,” where Anna sees the King reading the story of Moses in the Bible and the King tells Anna he thinks Moses is a fool, ironically similar to what Rameses thought of Moses! But the movie does a great job of depicting the famous “Exodus” of the children of Israel00described in the Bible in a book by the same name, and highlighting the story of Passover, celebrated by Jews each year, but foundational to the Easter story for Christians.
  2. Disney’s The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)-This film received three Academy Award Nominations for Best Makeup, Best Visual Effects and Best Sound Mixing. It won the award for Best Makeup. The film was directed by Andrew Adamson, for whom this was his live-action debut, having previously directed animated films such as Dreamworks’s Shrek (2001) and Shrek 2 (2004). Adamson also directed Disney’s to “Lion, Witch and the Wardrobe,” The Chronicles of Narnia: Prince Caspian in 2008. Both of these films, and the books upon which they are based, are the allegory for the story of Christ, the first of which includes the all-important fact of Christ’s resurrection, demonstrated by Aslan’s death and resurrection.
  3. Paramount’s Braveheart (1995)-Mel Gibson only wanted to direct the film and didn’t want to play William Wallace because he was nearly 40 years old at the time and the character was supposed to be in his 20s. Paramount agreed to finance the film only if he played the role, so he changed his mind. While he made the movie, Gibson spent time with actual members of the real-life Wallace clan to learn their history, and even brought them in as extras in the movie. There were roughly 1,600 in the battle scenes. It is a strong tale of faith and freedom, with Wallace portraying both a Christ-like figure and a leader of the freedom movement in Scotland. 
  4. United Artists’s The Greatest Story Ever Told (1965)-After playing Moses in “Ten Commandments,” Charlton Heston played Judah Ben-Hur in Ben Hur (1959), which won him the Best Actor Oscar for that year and then he played John the Baptist in this film. It was also the American film debut of Max von Sydow, and although he played Jesus in this film, he was in reality an affirmed atheist. Von Sydow also smoke and drank but wasn’t allowed to do either of those things while filming on the set. This movie was also the last film appearance of Four-time Oscar Nominee, Claude Rains, who portrayed King Herod. It has been much-beloved by people for more than 50 years, and considered by Christians as an excellent portrayal of the Bible stories foundational for their faith.
  5. Dreamworks’s The Prince of Egypt (1998)-Jeffrey Katzenberg, this film’s executive producer and former CEO of Dreamworks Animation, had always thought it would be a good idea to make an animated movie of “The Ten Commandments,” and had originally pitched the idea while working for the Walt Disney Company to former Disney CEO, Michael Eisner, but Eisner never liked the idea. When Katzenberg left Disney in October of 1993, he later founded Dreamworks with Steven Spielberg and David Geffen in 1994, they managed to get “The Prince of Egypt,” off the ground and Katzenberg hired Disney screenwriter Brenda Chapman to co-direct the film with Steve Hickner and Simon Wells. This film not only marked Chapman’s debut as a director, but also made her the first woman to co-direct an animated movie from a major movie studio. Chapman later won the Best Animated Feature Oscar for direction on Disney/Pixar’s Brave in 2012. It of course continues in the tradition of the live-action film, portraying the Jewish Passover and Exodus that is intrinsic to the Easter season for Christians. 



While these are just some of many spiritual themed movies, there are still a lot other movies that acknowledge the beauty and the mystery of God. Others such as Forrest Gump (1994), Facing the Giants (2006) and even Indiana Jones and the Last Crusade (1989), The Lion King (1994), and The Bucket List (2007) acknowledge God’s existence and presence in the universe. Overall, it really is amazing the trouble and efforts that these people who worked on them went to, making each of them not only great films, but inspiring to people of faith.

Sunday, April 5, 2020

The Sun Will Shine Again!

With everything that’s going on in the world right now due to the COVID-19 Pandemic, I thought today’s blog could actually be a letter of encouragement. People have lost their lives, and they have also been laid off/furloughed or have been forced to take pay cuts. It’s extremely traumatic, and when we all will overcome this unfortunate epidemic remains to be seen. One could maybe argue that it’s even more sad and unpredictable than 9/11. 

It’s times like these in which we have the choice of believing either that this is the end of the world and we’re all done for, or that there is hope and that we will overcome. Personally, I choose to believe the latter. While there are many things that might make us feel pressure to believe otherwise, hope comes in all shapes and sizes. Being surrounded by the family and friends that you love gives you hope, and so does faith in God. But it can be difficult not knowing whom or what to rely on when you’ve had an unfortunate tragedy in your lifetime.   

Disney Movies typically tell stories of protagonists who are hoping to achieve a certain goal or acquire a certain achievement at some point in their lifetimes, and often those protagonists express the emotional desire to achieve those goals or acquire those things in song. However, up until the early 2000s, Disney movies seldom included a protagonist song about failing: getting to the halfway point of achieving his/her goal and then losing a sense of direction, not knowing where to turn next. A lesser known film, however, did the opposite: Home on the Range in 2004. 

When “Home on the Range,” was in production at Disney, Alan Menken (Oscar-winning composer of The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), and Pocahontas (1995) and other Disney classics), was hired to compose the music for the film, along with Glenn Slater as lyricist. While working on the film, Slater and Menken were told by the film’s creative team, writers/directors Will Finn and John Sanford and Producer Alice Dewey Goldstone, that they wanted there to be a song in the film where the film’s three main protagonists (The Cows: Maggie, Grace, and Mrs. Calloway) are lost and they don’t how to go on. A “Where Do We Go From Here” song was in order. Menken shared later that he had never written that kind of song in his other Disney films. He said “I thought that was a terrible idea for a song. I don’t want to write a ‘Where Do We Go From Here’ song, I mean, what will we do with it?”

But, 9/11 happened while “Home on the Range,” was in production at Disney, and like many artists, Menken wanted to “write something that would be a balm to me and to other people.” He hoped that when people heard the song they would realize that when there is so much despair, there is always hope. As a result, he and Slater wrote “Will the Sun Ever Shine Again.” Performed by Bonnie Raitt in the film, it really struck a chord for audiences. Menken received so many phone calls from people telling about how the song made them want to cry. (For the record, the song also makes me emotional !.) 

In these unprecedented times of upheaval—in which all routines have changed, and the future appears bleak, or at least undefined—we could all use the words that Slater penned and Menken so beautifully rendered musically. (Lyrics are below, and I have also attached the YouTube link if you’d like to listen to the song.)

Most importantly, I believe that the sun will shine again someday, and I hope you can find the strength and courage to not only believe that, but to believe that we’ll overcome. Collectively encouraging each other, as in this emotive song, will help us believe in the sunshine to come.

 
Will the Sun Ever Shine Again
(by Alan Menken and Glenn Slater, performed by Bonnie Raitt)

Rain is pourin' down like the
Heavens are hurtin'.
Seems like it's been dark since
The devil knows when.
How do you go on, never knowin'
For certain,
Will the sun ever shine again?

Feels like it's been years since
It started to thunder.
Clouds are campin' out in the valley
And glen.
How do you go on, when you can't help
But wonder.
Will the sun ever shine again?

What if the rain keeps fallin'?
What if the sky stays gray?
What if the wind keeps squallin',
And never go away?
Maybe the soon the storm will be
Tired of blowin'.
Maybe soon it all will be over, amen.
How do you go on, if there's no way
of knowin'?
Will the sun ever shine?

Wish I could say.
Send me a sign-
One little ray.
Lord, if you're listenin', how long
until then?
Will the sun ever shine again?


https://www.youtube.com/watch?v=tthYzUhuvZE